Messaging the Monstrous Opening Night

Dawn of the Dead 3-D

Jun 23, 2022

MoMA

Dawn of the Dead 3D. 1978. Directed by George A. Romero. Courtesy MKR
  • MoMA, Floor T2/T1 The Debra and Leon Black Family Film Center

Opening Night Film

Horror: Messaging the Monstrous opens with a rare 3-D screening of George A. Romero’s zombie opus, Dawn of the Dead. This is the original, unrated 1979 US theatrical release version, lovingly and meticulously adapted to a 3D format under the frame-by-frame supervision of Dawn’s original producer, Richard P. Rubinstein. Romero’s original editing remains untouched.

Romero’s follow-up to 1968’s Night of the Living Dead dashes all hope that things have turned out all right. In Dawn of the Dead, the zombie apocalypse is pervasive, with no chance of escape and no further hopes pinned to the police, government, science, or neighbors. The film opens on a news station’s last gasp, as a quartet of survivors hijacks a helicopter that takes them to a familiar location in late 1970s America: the mall. Though they quickly settle into the comforts and routine of the old world provided by the mall stores, the slow realization that life has unalterably changed creeps into our protagonists’ minds. A biting critique of the power of capitalism and consumerism—what’s worse than being undead and still wanting to go shopping?—Dawn is bleak in its assessment of humanity: we’re both victims and accomplices in our own decline. As with its predecessor, the film is also groundbreaking because of who gets to survive at the end.

Organized by Ron Magliozzi, Curator, and Brittany Shaw, Curatorial Assistant, Department of Film, with Caryn Coleman, guest curator.

  • This film series is part of Horror: Messaging the Monstrous.

    Film at MoMA is made possible by CHANEL.

    Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.

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