Tim Burton
November 18, 2009–April 26, 2010
Held in conjunction with the gallery exhibition Tim Burton and the film exhibition Tim Burton and the Lurid Beauty of Monsters
A director of fables, fairy tales, and fantasies, with an aesthetic that incorporates the Gothic, the Grand Guignol, and German Expressionism, Tim Burton has created a body of films—fourteen features released over two and a half decades thus far—that reveal an uncompromised auteurist vision. Burton’s striking visuals and indelible characters make even his blockbuster studio films intimately personal. From adaptations to musicals to stop-motion animated films, his work bears a distinctive, unmistakable point-of-view, and his unique interpretations of well-known comic and literary characters, real-life personalities, and beloved childhood icons have resulted in creations that sometimes surpass their sources. Along with his frequent collaborators—including actors Johnny Depp and Helena Bonham Carter, composer Danny Elfman, production designer Rick Heinrichs, and costume designer Colleen Atwood—Burton has also crafted a new canon of beloved characters, from Edward Scissorhands and Beetlejuice to Jack Skellington and the Corpse Bride.
Organized by Ron Magliozzi, Assistant Curator, and Jenny He, Curatorial Assistant, Department of Film, with Rajendra Roy, The Celeste Bartos Chief Curator of Film.
Special thanks to Ned Price, Warner Bros.; Schawn Belston and Caitlin Robertson, Twentieth Century-Fox; Kristen McCormick, Disney; Barry Allen and Andrea Kalas, Paramount; and Grover Crisp and Jared Sapolin, Sony Pictures Entertainment.
Tim Burton is sponsored by Syfy.
Additional funding is provided by The Junior Associates of The Museum of Modern Art.
Related Events
Upcoming
Past
The Museum of Modern Art Film Benefit
A tribute to Tim Burton
Helena Bonham Carter
Johnny Depp
Robert A. Iger and Willow Bay
David and Julia Koch
Co-Chairs
Cocktails at 6:30 p.m.
Presentation at 7:30 p.m.
Dinner at 8:00 p.m.
After-party at 9:00 p.m. to midnight
Featuring music by DJ Justin Miller (DFA Records)
Founded in 1935 as the Film Library, the department now oversees an internationally renowned collection of more than twenty-two thousand films and four million film stills incorporating all periods and genres. Among its holdings are original negatives of the Biograph and Edison companies and the world's largest collection of D. W. Griffith's films.
A Golden Globe–winning and Academy Award–nominated film director, producer, writer, and artist, Tim Burton has become a household name. From his offbeat debut feature Pee-wee's Big Adventure, to the darkly comic Edward Scissorhands, to such blockbuster films as Batman and Charlie and the Chocolate Factory, the filmmaker has made a lasting impact on pop culture with his uniquely skewed artistic vision. Burton will be honored with a monographic exhibition of his art and films at The Museum of Modern Art from November 22, 2009, to April 26, 2010, and his most recent project, a 3-D reimagination of Lewis Carroll's Alice in Wonderland, will be released in March 2010.
Tim Burton Book Signing
Tim Burton signs two new publications
Tim Burton, by Ron Magliozzi and Jenny He
The Art of Tim Burton, edited by Derek Frey, Leah Gallo, and Holly Kempf
Director, producer, writer, and artist Tim Burton makes a personal appearance in conjunction with his major career retrospective at MoMA, signing copies of the Tim Burton exhibition catalogue, as well as the newly published The Art of Tim Burton, a comprehensive, 434-page compilation of forty years of Burton’s artistry.
The signing takes place in MoMA Books, on the second floor of the Museum. Museum admission is required for entry. This event is open to the general public on a first-come, first-served basis. Both books will be available onsite at MoMA Books and the MoMA Design and Book Store. No other books or collectibles will be signed at this event.
Tim Burton Tour Nights
Spice up your November with the fables, fairy tales, and fantasies of one of Hollywood’s most unique visionaries when you experience the highly anticipated Tim Burton exhibition before it opens to the public. This one-hour private tour of Burton’s drawings, paintings, and sketchbooks, as well as film props and costumes, concludes with a priority reserved seat for a screening of Burton's Beetlejuice (1988).
Related Film Screenings
Upcoming
Corpse Bride
2005. USA/Great Britain. Directed by Tim Burton, Mike Johnson. Screenplay by John August, Caroline Thompson, Pamela Pettler. With the voices of Johnny Depp, Helena Bonham Carter, Emily Watson. For his second feature-length stop-motion film, Burton transformed a nineteenth-century European folktale about a man caught between two women—one breathing, one not so much—into a musical filled with exquisitely crafted characters who prove that what appears frightening is often just misunderstood. 76 min.
Sweeney Todd
2007. USA/Great Britain. Directed by Tim Burton. Screenplay by John Logan, based on the musical by Stephen Sondheim. With Johnny Depp, Helena Bonham Carter, Alan Rickman. Burton’s filmic adaptation of Sondheim’s tale of tonsorial terror is replete with the filmmaker’s recurrent visual and thematic motifs. The musical numbers allow for fantastic set pieces that alternate between light and dark, revelatory and horrific, and the twisted narrative sets comedy amid the grotesque. 116 min.
Beetlejuice
1988. USA. Directed by Tim Burton. Screenplay by Michael McDowell. With Michael Keaton, Winona Ryder, Alec Baldwin, Geena Davis. A recently deceased small-town couple are required to haunt their own house for 125 years, but when they are unable to frighten the insufferable urbanites who move in, they hire a “bio-exorcist” to reclaim their home. The director’s cynical version of hell as a bureaucratic waiting room is leavened by such sophomorically gruesome delights as shrunken heads and flattened corpses, creating an atmosphere that shuttles between the world-weary attitudes of adulthood and the unbridled imaginative possibilities of youth. 92 min.
Batman Returns
1992. USA. Directed by Tim Burton. Screenplay by Sam Hamm, Daniel Waters. With Michael Keaton, Danny DeVito, Michelle Pfeiffer. The sequel surpasses the original as Burton plumbs deeper into the Dark Knight’s psyche. The complex villains Catwoman (a mousy, put-upon secretary who unleashes her inner ferocity while teetering on the edge of sanity) and the Penguin (who embraces his rage and penchant for chaos while secretly craving the acceptance he never received from his parents) contribute surprising emotional depth to the comic-book setting. 126 min.
Pee-wee’s Big Adventure
1985. USA. Directed by Tim Burton. Screenplay by Phil Hartman, Paul Reubens. With Reubens, Elizabeth Daily, Mark Holton. With his first feature, Burton established himself as a director with a unique personal style. Pee-wee embarks on a cross-country search for his missing bicycle, a scenario that allows Burton to indulge in whimsical set pieces and extravagant sight gags. Like the elaborate Rube Goldberg–esque contraption (a familiar Burton motif) that facilitates Pee-wee’s morning routine, the simple plot unfolds in visually complex ways. The climactic ride through the Warner Bros. back lot is a montage of zany fun as Pee-wee and his beloved bike zoom through a 1960s beach-party, the North Pole, a Godzilla rampage, a Twisted Sister music video, and Tarzan’s jungle. 90 min.
Big Fish
2003. USA. Directed by Tim Burton. Screenplay by John August, based on the novel by Daniel Wallace. With Ewan McGregor, Albert Finney, Billy Crudup. On his deathbed, Edward Bloom retells his life through exaggerated tall tales. This lifelong habit of subjective recollection alienates him from his son Will, who longs to know his “real” father. Burton’s adaptation shifts the focus and sympathy toward the elder Bloom, a character who fits the mold of Burton’s archetype of the flawed and imperfect, yet revered, father. Edward is finally redeemed in his son’s eyes only when the younger Bloom realizes that manipulated and invented reality is often preferable to "the real world." 125 min.
Mars Attacks!
1996. USA. Directed by Tim Burton. Screenplay by Jonathan Gems, based on the Topps! trading-card series. With Jack Nicholson, Glenn Close, Annette Benning, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Natalie Portman, Michael J. Fox. Aliens (of the green, bulbous-brained, bug-eyed variety) come to Earth, and they do not come in peace. Burton’s hilarious homage to—and parody of—1950s sci-fi B-movies features an ensemble of A-list actors who gamely inhabit outrageous characters in a series of vignettes that build to an apocalyptic climax. 106 min.
Past
Pee-wee’s Big Adventure
1985. USA. Tim Burton. 90 min.
Beetlejuice
1988. USA. Tim Burton. 92 min.
Batman
1989. USA/Great Britain. Tim Burton. 126 min.
Vincent
1982. USA. Tim Burton. 6 min.
Edward Scissorhands
1990. USA. Tim Burton. 105 min.
Batman Returns
1992. USA. Tim Burton. 126 min.
Tim Burton’s The Nightmare Before Christmas
1993. USA. Henry Selick. 76 min.
Frankenweenie
1984. USA. Tim Burton. 29 min.
Ed Wood
1994. USA. Tim Burton. 127 min.
Mars Attacks!
1996. USA. Tim Burton. 106 min.
Sleepy Hollow
1999. USA/Great Britain. Tim Burton. 105 min.
Planet of the Apes
2001. USA. Tim Burton. 119 min.
Big Fish
2003. USA. Tim Burton. 125 min.
Charlie and the Chocolate Factory
2005. USA/Great Britain. Tim Burton. 115 min.
Corpse Bride
2005. USA/Great Britain. Tim Burton, Mike Johnson. 76 min.
Sweeney Todd
2007. USA/Great Britain. Tim Burton. 116 min.
Vincent
1982. USA. Tim Burton. 6 min.
Tim Burton’s The Nightmare Before Christmas
1993. USA. Henry Selick. 76 min.
Ed Wood
1994. USA. Tim Burton. 127 min.
Vincent
1982. USA. Tim Burton. 6 min.
Ed Wood
1994. USA. Tim Burton. 127 min.
Edward Scissorhands
1990. USA. Tim Burton. 105 min.
Frankenweenie
1984. USA. Tim Burton. 29 min.
Tim Burton’s The Nightmare Before Christmas
1993. USA. Henry Selick. 76 min.
Corpse Bride. 2005. USA/Great Britain. Directed by Tim Burton, Mike Johnson
Related Publication
Tim Burton
Ron Magliozzi and Jenny He