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Repetition Nineteen III

Eva Hesse (American, born Germany. 1936-1970)

1968. Fiberglass and polyester resin, nineteen units, Each 19 to 20 1/4" (48 to 51 cm) x 11 to 12 3/4" (27.8 to 32.2 cm) in diameter. Gift of Charles and Anita Blatt. © 2010 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich

1004.1969.a-s

Publication Excerpts

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 271

Repetition 19, III comprises nineteen bucketlike forms, all the same shape but none exactly alike. Nor do they have a set order, since Hesse allowed latitude in placing them: "I don't ask that the piece be moved or changed, only that it could be moved and changed. There is not one preferred format." The Minimalist artists, who emerged a little before Hesse did, had explored serial repetitions of identical units. Hesse loosened that principle: Repetition 19 is simultaneously repetitive and irregular. She also tended to work on a humbler scale than the Minimalists often had, and her forms and materials are less technocratic; she herself called the forms in Repetition 19 "anthropomorphic," and recognized sexual connotations in these "empty containers."

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Repetition Nineteen III

Eva Hesse (American, born Germany. 1936-1970)

Publication Excerpt: The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 271

The Museum of Modern Art

MoMA

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 271